LOUD! OOH
Bigger. Bolder. Louder.

Introducing

The OOH Budget Lab™

The UK's most advanced OOH media buying intelligence.

100% free · No sign up · Instant results

Your inputs

Set budget, duration and goal. Loud AI rebuilds the mix as you go.

Total budget (excl. VAT)

£25,000

£5K£500K+
Campaign duration
1 wk2 wks4 wks8 wks+
Campaign goal
  • Maximise ReachMaximum unique audience
  • Local DominanceTight geographic focus
  • Frequency & ImpactHigh frequency, premium sites
Market
LondonManchesterBirminghamNational
Loud AI Insight

Digital and Tube currently deliver the strongest unique reach for your budget in London.

Learn more →
Potential reach

24.8M people

↑ 18% vs typical mix
Plan score84/100
Strong plan
Impacts13.9M
Frequency3.1×
Sites23
Format mix 6 formats · London
  • Digital40%
  • Tube20%
  • Bus15%
  • Rail10%
  • Taxi10%
  • Other5%

Plan includes

  • 6 OOH formats in your mix
  • Route-verified audience data
  • Interactive map & site list
  • Production & install estimate
  • Email-ready plan summary
  • Booking held for 7 days

Loud AI recommends

For £50K in London, Digital + Tube drive 4.5M unique reach.

2-week reach plan · 2026 rates · Map & email summary included.

Total (excl.
VAT)
£50,000
Email me this Review full plan →

Planning estimates based on current market rates, available audience data and Loud! OOH buying experience. Final prices and availability are confirmed before booking.

Trusted by brands and agencies

+ 250 more

The formats behind the mix

The same inventory the Lab prices — all eight format categories, photographed in the real world.

Every format, priced

44 formats across 8 categories. Media, production and installation shown separately — ex-VAT, indicative, from our 2026 rate card.

Format Basis London £ Regional £ Production Installation Status
6-Sheet Static
Static · per panel
2 weeks £400–900 £300–600 £138
production
£45
installation
Published
6-Sheet Digital
DOOH · per panel
1 week £500–800 £400–600 £0
production
£0
installation
Published
48-Sheet Static
Static · per panel
2 weeks £650–1000 £325–600 £275
production
£150
installation
Published
48-Sheet Digital
DOOH · per panel
2 weeks £1000–1200 £500–1000 £0
production
£0
installation
Published
96-Sheet Digital
DOOH · per panel
2 weeks £1500–5000 £1000–2000 £950
production
£0
installation
Planning range
Backlit / Illuminated
Static · per panel
2 weeks £900–1800 £650–1200 £300
production
£150
installation
Planning range
Format Basis London £ Regional £ Production Installation Status
Static 6-Sheet
Static · per panel
2 weeks £500–1200 £500–1200 £575
production
£70
installation
Published + planning
Digital 6-Sheet
DOOH · per screen
1 week £500–1200 £500–1200 £0
production
£0
installation
Published + planning
Large-Format Digital
DOOH · per screen
1 week £2500–25000 £2500–25000 £0
production
£0
installation
Published + planning
48-Sheet / Approach Road
Static · per panel
2 weeks £500–1200 £500–1200 £575
production
£0
installation
Planning range
Terminal Domination / Takeover
Mixed · per zone
campaign £15000–50000 £10000–25000 £7000
production
£5000
installation
Planning range
Format Basis London £ Regional £ Production Installation Status
Superside Panel
Static · per taxi
4 weeks £500–2000 £500–2000 £475
production
£55
installation
Published + planning
Tip Seats / Interior
Static · per taxi
4 weeks £500–2000 £500–2000 £150
production
£0
installation
Published + planning
Full Livery Wrap
Static · per taxi
campaign £2750–5000 £850–2000 £600
production
£400
installation
Published + planning
Digital Tops
DOOH · per taxi
campaign £500–2000 £500–2000 £0
production
£0
installation
Published + planning
Branded Taxi Hire
Activation · per hour
activation £95–150 £75–120 £0
production
£0
installation
Published + planning
Format Basis London £ Regional £ Production Installation Status
4/6-Sheet Station Poster
Static · per panel
2 weeks £750–1500 £250–750 £300
production
£45
installation
Published + planning
Digital 6-Sheet Station
DOOH · per screen
1 week £1200–2200 £450–1200 £0
production
£0
installation
Published + planning
48-Sheet Station
Static · per panel
2 weeks £2000–4500 £750–2000 £300
production
£150
installation
Published + planning
Traincards / Interior
Static · per panel
2 weeks £75–150 £75–150 £30
production
£30
installation
Published + planning
Station Domination / Takeover
Mixed · per station
campaign £15000–30000 £2500–15000 £4000
production
£3000
installation
Planning range
Format Basis London £ Regional £ Production Installation Status
Rear / Headliner
Static · per bus
2 weeks £200–600 £60–90 £150
production
£40
installation
Published
Superside
Static · per bus
2 weeks £300–500 £130–275 £150
production
£50
installation
Published
T-Side
Static · per bus
2 weeks £500–900 £250–500 £150
production
£60
installation
Published
Streetliner
Static · per bus
2 weeks £180–500 £180–500 £150
production
£60
installation
Planning range
Mega Rear
Static · per bus
annual £4000–8000 £4000–8000 £300
production
£0
installation
Planning range
Full Bus Wrap
Static · per bus
4 weeks £10000–30000 £18000–22000 £1250
production
£900
installation
Published + planning
Interior Panels
Static · per route
2 weeks £500–1500 £350–1000 £110
production
£0
installation
Planning range
Format Basis London £ Regional £ Production Installation Status
6-Sheet Static
Static · per panel
2 weeks £400–650 £300–600 £138
production
£45
installation
Published
6-Sheet Digital
DOOH · per screen
1 week £650–800 £400–650 £0
production
£0
installation
Published
Shelter Wrap / Takeover
Special build · per shelter
campaign £1500–5000 £1000–4000 £2500
production
£2000
installation
Planning range
Format Basis London £ Regional £ Production Installation Status
Digital AdVan - 1 Day
DOOH · per day
1 day £999–2000 £999–2000 £0
production
£0
installation
Published + planning
Digital AdVan - 3 Days
DOOH · per 3 days
3 days £999–2000 £999–2000 £0
production
£0
installation
Published + planning
Digital AdVan - 5 Days
DOOH · per 5 days
5 days £999–2000 £999–2000 £0
production
£0
installation
Published + planning
Static AdVan / AdBike
Static · per day
1 day £999–2000 £999–2000 £0
production
£0
installation
Published
Multi-Van Convoy (2–5 vans)
DOOH · per convoy
campaign POA POA £0
production
£0
installation
POA
Format Basis London £ Regional £ Production Installation Status
Tube Car Panel
Static · per panel
2 weeks £10–150 £10–30 £20
production
£10
installation
Published + planning
Escalator Panel LEP/DEP
Static · per panel
2 weeks £125–600 £125–300 £300
production
£45
installation
Published
Digital 6-Sheet
DOOH · per screen
1 week £550–900 £400–650 £0
production
£0
installation
Published + planning
4-Sheet Platform Poster
Static · per panel
2 weeks £300–600 £300–450 £300
production
£40
installation
Published
16-Sheet Cross-Track
Static · per panel
2 weeks £1000–2800 £1000–1800 £300
production
£60
installation
Published
48-Sheet Cross-Track
Static · per panel
2 weeks £1500–5000 £1500–3000 £300
production
£150
installation
Published
Digital Escalator / Ribbon
DOOH · per week
1 week £15750–40000 £15750–25000 £0
production
£0
installation
Published + planning
Station Domination / Takeover
Mixed · per station
2 weeks £50000–100000 £15000–50000 £4000
production
£4000
installation
Published + planning

How we think about OOH budgets

How we think about OOH budgets Reach versus frequency, cheap versus efficient, and why we never hide production inside the media rate.

We built the Budget Lab around a simple frustration: people are given a budget but aren’t shown what it can realistically buy. A £5,000, £10,000 and £50,000 budget aren’t just different sizes of the same campaign — they lead to different strategies, footprints, formats and frequency. So instead of another ‘get a quote’ form, the Budget Lab asks what you’re trying to achieve and shows you a real planning answer: what you could buy, what it might deliver, and what you’d be trading off.

Because cheap and efficient aren’t the same thing. A £1,000 placement in a genuinely relevant location can outperform a £500 placement that barely touches your objective — and a premium format can be entirely justified if the goal is stature or fame. That’s why the Budget Lab shows the trade-off between cost, scale, geography, audience relevance, frequency and format rather than just ranking by price.

We wouldn’t start by saying ‘£10,000 buys this exact thing’ — we’d start with the objective. At the lower end, concentration usually beats spreading thin: own one location, route or catchment. Around £10,000 it becomes a real trade-off between reach and concentration. At £25,000 and above, we start thinking in terms of a media system — combining formats so the campaign has both reach and reinforcement.

Neither, by default — they solve different problems. Reach is the unique number of people who see your campaign; frequency is how often those people see it. A launch usually wants reach; owning a message or location usually wants frequency. The Budget Lab asks what you’re trying to achieve first, then makes that trade-off visible rather than assuming one answer fits every brief.

Because a screen playing an advert isn’t the same as a person seeing it. Route measures OOH impacts based on the likelihood of an advert actually being seen — factoring in location, movement, visibility and time — which is a meaningfully different, more honest number than a raw digital ‘impressions’ count. Where we only have planning benchmarks rather than Route-measured data, we label them clearly as indicative ranges, not guaranteed delivery.

Because a screen playing an advert isn’t the same as a person seeing it. Route measures OOH impacts based on the likelihood of an advert actually being seen — factoring in location, movement, visibility and time — which is a meaningfully different, more honest number than a raw digital ‘impressions’ count. Where we only have planning benchmarks rather than Route-measured data, we label them clearly as indicative ranges, not guaranteed delivery.

No — that’s an easy trap. Digital OOH offers dynamic creative, scheduling and increasingly programmatic buying, and IAB UK expects DOOH to reach 76% of UK OOH spend by 2031. But a static 48-sheet in exactly the right spot can outperform a screen, and buses and rail work because of movement and dwell time. We treat format as a strategic decision, not a technology hierarchy.

Technically, yes — the buying ecosystem behind OOH has become genuinely sophisticated. But from your side of the screen it should be simpler, not harder. The Budget Lab solves the strategy first — objective, audience, geography and budget — before the buying mechanism ever needs to come into it.

Separately, always. ‘Campaign cost’ can quietly bundle media, print, installation, special builds and motion design into one number, which makes budgets hard to compare. The Budget Lab shows an indicative media allocation, then adds sensible production and installation allowances based on the formats you’ve actually selected — never hidden inside the headline rate.

Balance. Not spread so thin that nothing has real presence, and not so concentrated that a campaign needing genuine reach ends up in one spectacular site. We weigh three things: where the audience actually moves, what job each format is doing, and what the creative needs from the media. The Budget Lab explains why a recommendation was made rather than just listing sites.

Decide what ‘working’ means before the campaign goes live. For awareness, look at reach, frequency and recall; for driving people somewhere, look at footfall; for demand generation, search behaviour alongside other signals. Impacts tell you about delivery — they don’t, by themselves, tell you the business objective was hit. A strong plan starts with the outcome and works backwards to the media.

Yes — but ‘big impact’ needs to mean something specific, not national reach on a local budget. A modest budget can dominate one town, postcode area or commuter route rather than being diluted across a huge geography, and sharp creative can make a small footprint feel much bigger. That’s why the Budget Lab shows different scenarios for the same budget rather than one ‘correct’ answer.

 

Starting with the format. ‘How much is a billboard?’ is a fair question, but it’s the second one. The first is: what are you actually trying to achieve? Once that’s answered, audience, geography, reach, frequency, format and creative all follow logically — and the recommendation should never simply be whichever format has the biggest headline reach number.

 

How the Planning Lab works

The Planning Lab is a deterministic planning engine, not a live booking system. Same inputs, same plan, every time.

Your campaign objective sets which formats are prioritised and how reach, frequency and impact are weighted.

Formats are only offered where they can actually run for your region type. Specialist formats are flagged for planner review rather than auto-recommended.

Plans are costed from Loud! OOH 2026 rate benchmarks at the Planning Typical level, with the Low to High range shown so you can see the uncertainty. Minimum spends are enforced.

The hero, drawer and email summary are all assembled from the same engine output, so the numbers never drift apart.

Planning estimates based on current market rates, available audience data and Loud! OOH buying experience. Final prices and availability are confirmed before booking.

Planning Lab questions

Straight answers about how this tool estimates your plan.

No. The Planning Lab builds an indicative plan from published benchmarks and planning logic. Final prices, inventory and availability are always confirmed by the Loud! OOH team before anything is booked.

From the Loud! OOH 2026 rate benchmarks, cross-checked against market rate card ranges. Each format shows a Planning Typical cost with a Low to High range, and specialist or bespoke formats are flagged for planner review.

We use impacts, the standard out-of-home measurement for estimated audience contacts, sourced from audience data such as Route where available. Reach counts unique individuals; frequency is impacts divided by reach. Exact delivery should be confirmed with Route or the relevant operator.

 

The engine is deterministic and built on real rate benchmarks, so the plan is a reliable planning starting point. Actual costs and availability move with market conditions, which is why every plan is reviewed and confirmed before booking.